Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

Friday, March 24, 2017

Richard Mazurowski


Richard Mazurowski (1925-2017) was son of Pearl Haremska Mazurowska, nephew of Clara Haremska Matynka, brother of Genevieve Mazurowska Stroinska, cousin of Clara Matynka Zdrojewska. He was Dad to Debbie, and he was Uncle Dick to Sharon and to Marty and me.

Below, we see him acting as groomsman in a wedding party sometime in the late 1940s or early 1950s. Richard (Ryszard) is third from the right. Sorry, I have no idea who the couple are. But first from the left is Clara Adamina Matynka, aka Mom.  Clara and Richard and Genevieve are first cousins; their mothers were sisters.



We can zoom in a little here, to the curly locks, 3-piece morning dress, and proper cravat.


Below we see another wedding party. The print is on deckle-edge paper. I like the ordinary houses with the Italian Renaissance-style campanile in the background. It houses the belfry of the parish church.



Genevieve and Edward Stroinski are the couple this time. Richard appears as Best Man. Isn't that Florence with him? I think it is. Please correct me if I am wrong.




Cabinetry and the making of fine furniture was Uncle Dick's profession. Below is a bookcase he designed, built, and installed for Gene and Clara. This is in the G&C house in Bowmansville, the year being between 1950 and 1956. Here in the Trove are at least three prints just of this bookcase. They were happy to have it; mayhap it was their Christmas gift to themselves.  See the bits of Christmas tree at the right of the photo?



1957 was the year of G&C moving into the Marilla house. Below is a scene at one of the early parties there. Proper parties always included 40 people or thereabouts, and went on in several rooms, including the finished part of the basement. Below we see, left to right, Casimir Zdrojewski, Adam Matynka, and Richard. The item of furniture in the background is a cobbler's bench done up by him.



The house on Poplar Street was similarly a noted party venue. Below we have New Year celebrations featuring dancing, lots of dancing, here with Florence and Richard.







Fourth of July featured culinary special ops, such as BBQ at the tent site in Marilla. Dick and Gene do not mess around.  I'm guessing 1960s here.







Below we see a very patient, as well as very stylish, Uncle Dick, in the dining room at another Marilla party, c1969.



(No snake is climbing up that wall. That is the stem of a split-leaved Philodendron, the leaves of which had, um, split the scene, for some reason.)



Left to right, below,  we have Clara Matynka, Uncle Dick, some idiot blowing out candles and looking like Oscar Wilde, Aunt Florence aka Auntie 'Lossie, Clara Zdrojewska aka Mom, and Uncle Eddie Stroinski. We also appear to have a fruit-Jello mold. 

But look at the wall behind Mom and Uncle Eddie. See those red-and-black encyclopedias? They are the same Compton's Encyclopedia, shelved on the same Uncle Dick bookcase, as in the Bowmansville photo above. When G&C worked on the design of the Marilla house, they stipulated a recessed niche in that wall, to accomodate that bookcase.




Below are Mom and Uncle Dick at a family event in 1971.




Uncle Dick set up his own furniture refinishing business, using his business name of Richard Mast, and went in with Uncle Eddie Jr. and Uncle Eddie Sr. Below we see him showing the latest progress on the revitalizing of the Zdrojewski grandfather clock, in the 1980s.




Uncle Dick was always at the wheel of  the station wagon when it was loaded up with "The Poplar Street Gang" and driven to Marilla for partying. He also had a motorboat for some time. I remember seeing it in the garage. If you send me any boating photos, or any photos at all of Dick and Florence, I will be delighted to put them up. 


Monday, May 16, 2016

The Stroinski "Ringo"

The Coot Hill Family Historical Preservation Society offices house several paintings by Buffalo artist and favorite relation Edward Stroinski. We have featured one from our North Gallery and a second from our Administrative Office early in this blog. The Militello horse that made a photographic apearance last post has inspired the Curatress to show off this example of Stroinski equine portraiture.



Ringo was my Quarter Horse gelding, a gift from Mom and Dad.  He was Palomino-and-white, with white mane and tail, and he was mellow.  Physical exertion did not interest him overmuch; speed he did not wish to attain, but he was biddable enough to wander the countryside with me for hours.  At all seasons we would take off and disappear for a while, exploring. What a friend.



I remember Uncle Eddie at a family gathering one time, walking up to Ringo's fencerail and snapping some pictures.  Later he asked my Dad to rustle up some weathered barn boards so he could fashion the frame.  Then they gave me the portrait, just like that.  Whose idea was it? Uncle Eddie's?  Or Mom and Dad's?

Look how tall Dad's pine trees had grown, from 1957 to 1967.


See the shading on the ventral aspect of Ringo's neck, and the shadow of his head and halter on the fencerail.  I stared at these things often instead of studying.